What colors are your go to pairing for a wash? I usually had ambers like 16 or 321 for my warm and 60 or 68 for cool. I have also been limited to what’s available for most of my work.
For years I did work for events that had an audience, stage video recording, Imag and a couple times even film. Rosco 03, with an absurd amount of light and power. You can beautifully white balance the cameras and display and it looks great and matched to an audience in a dark hall. I like to pair R60 and R51. If you’ve got the circuits, add some lee 202 .5 correction, but careful not to lose white balance in scene changes… Does anyone actually use gels/poly anymore? I moved on years ago to commercial AV installation. I assume it’s all LEDs now right? The last time I did stage lighting was 2005. My memory might be failing me here, so if the colors sound crazy, I’ve probably forgotten or mixed up. I have actually designed a bunch of installations using LEDs (S4, ETC, etc lol). The technology we are discussing is ancient history now right?
True, most professional spaces are using LED now. The colors are usually programmed for Rosco, though. Not everyone has the budget to update yet. They usually start by adding motion lights a little at a time. You don’t really have follow spot operators anymore. When I was working for television it was all about filters for temperature instead of colors. I preferred theatre. I find special effects are more fun on older boards.
What colors are your go to pairing for a wash? I usually had ambers like 16 or 321 for my warm and 60 or 68 for cool. I have also been limited to what’s available for most of my work.
For years I did work for events that had an audience, stage video recording, Imag and a couple times even film. Rosco 03, with an absurd amount of light and power. You can beautifully white balance the cameras and display and it looks great and matched to an audience in a dark hall. I like to pair R60 and R51. If you’ve got the circuits, add some lee 202 .5 correction, but careful not to lose white balance in scene changes… Does anyone actually use gels/poly anymore? I moved on years ago to commercial AV installation. I assume it’s all LEDs now right? The last time I did stage lighting was 2005. My memory might be failing me here, so if the colors sound crazy, I’ve probably forgotten or mixed up. I have actually designed a bunch of installations using LEDs (S4, ETC, etc lol). The technology we are discussing is ancient history now right?
True, most professional spaces are using LED now. The colors are usually programmed for Rosco, though. Not everyone has the budget to update yet. They usually start by adding motion lights a little at a time. You don’t really have follow spot operators anymore. When I was working for television it was all about filters for temperature instead of colors. I preferred theatre. I find special effects are more fun on older boards.